This volume, the Frank Gerstein Lectures for 1963, is the second series of Invitation Lectures to be delivered at York University. The theme "Imagination and the University" was appropriate for, as President Murray Ross states in this Foreword, it is in its early years that a university is sufficiently flexible to utilize imagination in its structure and in its curriculum. York University was in its third year when the Lectures were given. Four distinguished scholars present their views on the importance of an imaginative approach to the different academic disciplines, and to the conduct of life in contemporary society as a whole. Jacob Bronowski, speaking on Imagination in Art and Science, draws a clear and striking analogy between the role of imagination in mathematics and in poetry, drawing on his own experiences and contributions in both areas. He stresses that all creative works in art or science, must conform to the universal experience of mankind and to the private experiences of each man: the work of science, as of art, moves us profoundly, in mind and in emotion, when it matches our experience and at the same time points beyond it. Henry Steele Commager shows how important is the contribution to be made by an imaginative approach to politics, where, as in other fields of human experience, it must not be separated from reality, if it is to find expression in something more than words. He points to examples from the past and the present and asks for more imagination in public thinking, it fit our actions to the reality of change, citing the urgency of such twentieth-century phenomena as the status of Communist China, the predicted population explosion, and the threat of nuclear war. Professor Commager believes that the universities provide the key to this kind of approach, being a supreme example of the creative capacity of mankind, whose function it is to serve the commonwealth of learning. A different kind of insight is offered by Gordon W. Allport, whose subject is Imagination in Psychology. He believes that the present "impertinence" of psychology can best be cured by endowing it with more imagination. He demands a pluralistic approach to psychological investigation, which would not deny the insights yielded by traditional methods, with their characteristic minute analyses, but whose goal would be to fashion a conception of the human person that would exclude nothing that is valid, and at the same time preserve an ideal of rational consistency. This could lead, in turn, to a clear definition of the root motives of mankind, even to discovering new formulas for international peace by offsetting particularistic political demands. Finally, Paul H. Buck describes the Harvard House Plan as an example of Imagination and the Curriculum. This plan, modelled on the Oxford-Cambridge College system which is also followed in some Canadian universities, is an attempt to make all aspects of undergraduate life a process of education. And a truly liberal education for today and tomorrow, Professor Buck is confident, will combine a programme of general education, a programme of specialism, and a collegiate way of living.

Prepared by renowned Howard scholar Paul Herman with the assistance of Glenn Lord, this is the first new bibliography of Robert E. Howard since 1976. This massive volume contains more than twice as much information as the preceding biblio, The Last Celt. Robert E. Howard is considered the Godfather of Sword and Sorcery, and the creator of the international icon, Conan the Cimmerian, yet wrote successfully in numerous genres. The Neverending Hunt lists every story, poem, letter and publication in which a Howard work has appeared. It's more than you might think ...

Prepared by renowned Howard scholar Paul Herman with the assistance of Glenn Lord, this is the first new bibliography of Robert E. Howard since 1976. This massive volume contains more than twice as much information as the preceding biblio, The Last Celt. Robert E. Howard is considered the Godfather of Sword and Sorcery, and the creator of the international icon, Conan the Cimmerian, yet wrote successfully in numerous genres. The Neverending Hunt lists every story, poem, letter and publication in which a Howard work has appeared. It's more than you might think . . .

Contains 24 stories, many of which are rarely seen action, western, and boxing tales featuring characters such as Breck Elkin. "Blow the Chinks Down!" and "Dark Shanghai" are being presented here in English for the first time since their original pulp appearances.

This collection showcases Robert E. Howard's comic westerns. Howard's novel A Gent from Bear Creek is included (with its text restored), as well as two additional western stories featuring Breck Elkins and includes an introduction by Paul Herman.

It is impossible to ignore the sheer number of boxing stories that Robert E. Howard wrote. Serious or funny, spooky or adventurous, these stories represent a fierce creative outburst that would pave the way later for his western hero, Breckenridge Elkins. In these stories we see Howard's craft pushed from mere construction to passionate involvement. He took all of his interests and peppered them through the various boxing stories. He wrote them faster than the magazine could print them. Clearly, he loved what he was doing. When Howard could write no more, he went on to draft Conan and the aforementioned Elkins, who owes much in style and content to the Costigan stories. The fight stories are a joy to read and reread. They are funny, bawdy, picaresque, and violent. Presented here, as they were originally printed, they perfectly showcase why Robert E. Howard was one of the greatest adventure writers of the 20th century.

Robert E. Howard came into the fiction magazine scene virtually on Dashell Hammett's heels. By that time Howard was a full-fledged professional writer; he was willing to try any marketplace to make a living. Despite an aversion to the detective formula, he wrote the tales in Graveyard Rats during the same years he chronicled the adventures of Conan. This collection features a new introduction by scholar Don Herron, editor of The Dark Barbarian, the definitive look at the life and work of Robert E. Howard.

It is impossible to ignore the sheer number of boxing stories that Robert E. Howard wrote. Serious or funny, spooky or adventurous, these stories represent a fierce creative outburst that would pave the way later for his western hero, Breckenridge Elkins. In these stories we see Howard's craft pushed from mere construction to passionate involvement. He took all of his interests and peppered them through the various boxing stories. He wrote them faster than the magazine could print them. Clearly, he loved what he was doing. When Howard could write no more, he went on to draft Conan and the aforementioned Elkins, who owes much in style and content to the Costigan stories. The fight stories are a joy to read and reread. They are funny, bawdy, picaresque, and violent. Presented here, as they were originally printed, they perfectly showcase why Robert E. Howard was one of the greatest adventure writers of the 20th century.